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A White Rosebud – the 2017 stage musical – and its sequel, both put multiple characters’ growth, maturation and revolution to the fore of the narrative. In Adolescent Apocalypse, or The Adolescence of Utena, Saionji half-threatens to escape, to win, to change just to be the same young guy he always is.
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In Adolescent Apocalypse, Wakaba and Shiori can also transform into world-crossing motor vehicles. But, they are not the only ones, nor can they ever be the only ones. But, they all feel, in the pit of their being, that they are insufficient.Įveryone in Utena plays to lose until Tenjou Utena, and then Himemiya Anthy after, have something to win. They may find themselves to be superior based on an abstract principle or their closeness or affiliation with another student. They may find themselves lacking on a cosmic scale because they are missing some small happiness or ease they perceive in another student. The characters of Shoujo Kakumei Utena compare themselves, harshly and unfairly or confusedly and unfairly, against one another, constantly. My grandma always defaulted to a feminine universal and she loved to say, “To each her own,” a phrase which would freeze men in a moment from which some would never fully recover. Part XVII: Shoujo Kakumei Utena: Girls Revolution By Travis Hedge Coke on MaPatricia Highsmash